The ‘real world’ use of this repaired audio exercise was to provide clean guide tracks for the actors when they arrived for their ADR session and the audio repair was more of a courtesy than a necessity. WAV files was essentially location sound taken from the filming sessions by two microphones a Sennheiser boom mic and also lapel mics on both actors. WAV files that needed attention out from the DAW so they could be imported into RX.
#Izotope audio editor bouncing files software
The RX software works better as an independently run program rather than being deployed within your DAW session so the first thing I did was do bounce the. This fast-tracked my experience and provided me knowledge that the video had not.
#Izotope audio editor bouncing files trial
The video gave me a basic idea around the navigation and key tools the application uses to achieve its results, but as we all know, programs like this with a ‘new to user’ interface have certain intricacies that one only ever learns the hard way: by trial and error (and a decent amount of googling)! I was extremely fortunate to be given a 15min one on one tutorial by my colleague Dr Duck who had gone through some audio repair exercises with the software the week before. This video is below if you wish to delve into a breakdown of RX’s capabilities further: I began by watching a video by sound engineer/designer Evan Allen who is iZotopes lead product specialist. This introduction arrived at an opportune moment for me personally as I am part of a team providing the audio assets for a short film, so was keen to learn more and deploy RX to improve our final outcomes. From my first look at this industry leading software I was amazed at how authentically it is able to achieve what is does, whilst maintaining integrity of the original audio asset whether it be music or in a post production scenario. What can be done when there are problems with the audio and no way to return to the recording stage and rectify them?Ī few weeks back I was introduced to iZotope’s RX6 noise reduction and audio repair software. As a sound engineer, gaining the knowledge and experience (in addition to spending the time ensuring your recorded signal is A++), is key, but there are times when you may have missed something or when you have had no input into that process and are receiving audio assets directly from a client.
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